In 4 excerpts from a new collection of letters to and from the great musical writer and producer, we read his thoughts on matters large and small, as well as his advice for a young Sondheim.
The award for most promising lyricist and librettist in the American musical theatre includes a purse of $100,000, paid out over two years.
The beloved Chicago-based music director and teacher influenced generations of talent with her acumen and care.
The not-so-secret weapon of the new Apple+ series is a score by Cinco Paul as fueled by abiding love as by knowing critique of the form.
Composer Michael Friedman’s sister, and the executor of his estate, reflects on her role in preserving her brother’s work in an evolving field.
How the queerness of fairy tales and musicals, once coded and now more open, has always spoken—and sung—directly to me.
The new show ‘Maybe Happy Ending’ at the Alliance in Atlanta puts a fresh East-West spin on the American musical.
The writer behind ‘Mame,’ ‘La Cage aux Folles,’ and ‘Hello, Dolly!’ wasn’t just a genius—he was a mensch.
Among the legendary producer/director’s many gifts was an unflinching faith in his work, which was infectious if not imitable.
Ohio University is creating more flexibility for its musical theatre BFA students to pursue other subjects, including formal musical training.