California gets its first theatre and a grand pageant, a choreographer preserves classic Broadway dance, and an early Paula Vogel work is staged in Canada.
The writers of ‘Vatican Falls,’ ‘How I Learned to Drive,’ and ‘Downstate’ take varied approaches to depicting pedophiles—and reckoning with what they deserve.
The virtual start-up from Paula Vogel will work with the McCarter for the 2021-22 and 2022-23 seasons, starting with a re-release of Eisa Davis’s ‘Bulrusher.’
Her ‘Apologies to Lorraine Hansberry (You Too August Wilson)’ imagines a protected Black state founded after a second Civil War.
The company’s virtual platform will feature archived stage productions, audio plays, and new works by the CTG Creative Collective.
An especially strong week of archival recordings and live readings of buzzy plays.
The playwright looks forward to opening nights, and a theatre we no longer take for granted, on the other side of COVID-19.
Producer Daryl Roth and playwright Paula Vogel partner to launch a new annual play commissioning program.
If we can’t have theatre until we can gather again safely, what are U.S. theatres and artists going to do in the meantime, and after?
Vogel will serve as the school’s inaugural Hearst Theater Lab Initiative Distinguished Playwright-in-Residence for the 2018-19 academic year.