Will Davis at Rattlestick: An Artistic Homecoming
What would take a busy freelance director off the road? The chance to gather and serve communities—especially those who’ve been under-served.
What would take a busy freelance director off the road? The chance to gather and serve communities—especially those who’ve been under-served.
For the versatile playwright-performer, whose ‘Joy and Pandemic’ is up at the Huntington, writing is a way to understand themself and the world.
Proposed drag bans aren’t really about drag but about transphobia and homophobia. And they aren’t just threatening marginalized people and their livelihoods—they’re also attacking an art and a form of free expression.
Cruising Utopia with the Good Gay Poet.
In casting Jonathan Larson’s musical with all TGNC actors, director Bo Frazier’s new BoHo Theatre production not only brings new layers to the show—it also provides an example for others to follow.
A playwright reflects on the plethora of joys, pains, ownerships, references, anxieties, comforts, languages, forms, and more to be found in non-binary plays.
An iconic play about trans men and butch lesbians arrives in Maine at an auspicious time, both for its writer and for trans representation onstage.
The NYC-based company will next host Criminal Queerness Festival, welcoming theatremakers from nations where homosexuality is outlawed at a time when U.S. also faces renewed threats from the homophobic right.
Why a new same-sex revision of the classic Off-Broadway musical, with tweaks by original lyricist/librettist Tom Jones, may work even better than the original boy-girl version.
In depicting a transphobic murder in Washington, Mikki Gillette’s new play sets out to show a young woman’s confidence in the face of chaos.