Plays Are Meant to Be Seen, Not Heard
In the early 2000s, some major U.S. theatres dedicated spaces in their buildings to producing new work by new playwrights. Where are those programs—and those writers—now?
In the early 2000s, some major U.S. theatres dedicated spaces in their buildings to producing new work by new playwrights. Where are those programs—and those writers—now?
This year’s gathering in the Berkshires took big swings with mixed results, but its greatest successes may have been in the buzz and chatter it created among festivalgoers.
With a 7-show season at 2 of Center Theatre Group’s venues, the new artistic director is putting special focus on reviving the beloved, beleaguered Mark Taper Forum.
The Met Opera-bound revival, directed by Robert O’Hara, plays this weekend in Omaha, where the influential Black leader was born Malcolm Little in 1925.
This busy writer-director, known for new works, is now staging ‘A Raisin in the Sun’ at the Public, but it’s more a case of continuing a legacy of Black iconoclasm than a new career phase.
The play is the first to be announced for the Los Angeles company’s 2020-21 season at the Mark Taper Forum.
The annual conference will celebrate Robert O’Hara, Jeremy O. Harris, New Georges, Donnetta Lavinia Grays, and Deadria Harrington.
Colleagues and former students of the playwright share how she helped shape their lives and work.
Lucas Hnath, Robert O’Hara, Leigh Silverman, and Alexis Williams are panelists for this free discussion on the form and future of the American play.
Directors set the table for our theatrical meals, and preparation is key.