This Month in Theatre History (August 2016)
From the African Grove to the first playwrights’ copyright, from Rude Mechs to the DMX512 dimmer protocol, this was an august month in theatre history.
From the African Grove to the first playwrights’ copyright, from Rude Mechs to the DMX512 dimmer protocol, this was an august month in theatre history.
Fairy tales, history both documented and reimagined, and works in translation are recurring themes this month.
An initiative inviting theatres to produce only work by underrepresented voices for an entire season—and no straight white males—has excited interest and controversy.
The experimental theatremaker takes her cues from the natural world, the subconscious, and feminist thought in her genre-defining works.
The movement-based company’s season includes performance art, dance, theatre and music.
One of the Texas ensemble’s heads will leave her leadership role, while Alexandra Bassett will assume the newly created position of managing director.
Director Shawn Sides and set designer Mimi Lien talk about the design concept for their show at Lincoln Center Theater in New York City.
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
Theatre students learn best, one educator asserts, from futzing around with the unstructured fringes of the art form.