This Month in Theatre History (April 2016)
From a gender-bending actress in the early 19th century to female playwrights on Broadway in the 1920s, April is a month of milestones.
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From a gender-bending actress in the early 19th century to female playwrights on Broadway in the 1920s, April is a month of milestones.
Attractions to include a house haunted by guilt, a slamming-door exhibit, and Little Eyolf’s Rat Race.
His newest Broadway effort aims to tap the power of a little-remembered 1921 show that changed the American musical.
A few farces aside, current plays in the Old Smoke offer no escape from a disturbing world.
What started as a North American short-play project around last year’s Paris talks blossomed into an ongoing worldwide effort.
What did 4 female-led works at New York Live Arts’ Live Ideas Festival have to say to us or to each other—or are those even the right questions?
The artistic director confronts his hometown with difficult, meaty work. Next: Janine Nabers’s ‘Serial Black Face.’
Suli Holum’s new play, presented by the Institute on Disabilities at Temple University, offers new perspective on living with a disability.
From a sports lawyer who loves theatre to a playwright who was inspired by Chernobyl, these are theatre artists you should know more about this month.
Caption this image and win a copy of ‘Prodigal Son’ by John Patrick Shanley.