‘We Are in the Wrong Place’
In 1968, one of the regional theatre’s founding mothers wrote an urgent memo to her board: It was long past time to integrate the company and diversify the audience.
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In 1968, one of the regional theatre’s founding mothers wrote an urgent memo to her board: It was long past time to integrate the company and diversify the audience.
Can any one publication tell the stories of a field that’s partly in crisis, partly hanging on, partly thriving? It can certainly bear witness to our accountability and abundance.
Lovers, friends, and colleagues gathered in New Orleans to celebrate the founding editor’s open mind, questing spirit, and the delights he shared with the world.
If we can’t have theatre until we can gather again safely, what are U.S. theatres and artists going to do in the meantime, and after?
An issue of a magazine, like a theatrical season, is a menu of options reflecting our tastes, affinities, and priorities.
Revisiting MFA graduates from the ’90s, insights into Twin Cities leadership transitions, plus an in-depth interview with composer/lyricist Lin-Manuel Miranda.
Jim O’Quinn recaps the rousing (and controversial) closing plenary, “An Ideal Theatre,” at TCG’s 2014 National Conference.
Those who stepped down from an old position or stepped up to a new one in July and August.
From his post at New Dramatists and in his growing body of writing, Todd London relishes the role of gadfly.
Humana’s varied menu is bolstered by new-play investigations.