In depicting a transphobic murder in Washington, Mikki Gillette’s new play sets out to show a young woman’s confidence in the face of chaos.
This month we talk to the administrator, activist, and casting professional about amplifying trans talent, rethinking the canon, and prioritizing mental health.
An excerpt from a new collection of micro-plays.
Why the Georgia High School Musical Theatre Awards are beginning to eliminate gendered acting awards, in recognition of a generational shift and an increase in LGBTQIA+ representation.
The rebranding comes with a honing of the org’s mission statement to serve ‘women, trans, and gender-expansive’ theatre artists.
How TGNC production and stage managers are leading the field by example.
As a casting director, I’ve been in a unique position to advocate for TGNC actors—and for myself.
Will we settle for the small spaces the industry is willing to give us, or demand our own spaces and tell our own stories?