This month the ‘Malcolm’ mom will play the Stage Manager in a production with Pasadena Playhouse and Deaf West.
In his second column, TCG’s deputy director discusses the benefits of strategic decisiveness.
Local indie band Blitzen Trapper made a big sci-fi show, ‘Wild and Reckless,’ at Portland Center Stage. But was it theatre?
The birth of North America’s first professional troupe, the collapse of Zero Mostel, controversies, mergers, and more.
How sound designer Stowe Nelson filled the silence in a play that had almost no dialogue.
Japan’s Tadashi Suzuki revisits SITI, the U.S. company he helped found 25 years ago.
For all its heightened relevance and accountability, documentary theatre can’t be constrained by its subject.
Stage works based on real material range so widely that about all they have in common is their makers’ aversion to labels.
Some of documentary theatre’s leaders discuss the art of the interview—and the deeply personal play-making that comes after.
Theatre ought to grow our moral imagination in a time of crisis. How do we get there—and who is ‘we’?