Three on the Aisle: Letters From Lockdown
The critics look back on a year without live, in-person theatre as they go through their mailbag.
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The critics look back on a year without live, in-person theatre as they go through their mailbag.
How a plan to teach ‘Pipeline’ and ‘School Girls’ grew into a curriculum stressing both the plays’ universality and specificity on issues of race, colorism, and inequity.
Staging original works as audio dramas isn’t just a pandemic workaround; it’s also back-to-the-future turn to a resonant form.
Rooted as much in Michigan as Mosul, he lived to see both of his homes turn to sectarian violence and division.
A new project to put the focus on marginalized voices opens with a series showcasing under-sung plays, in hopes of seeding future productions.
Where we put our time, our money, and attention needs to change, can change, and is already changing.
A look at the achievements of some prominent women in theatre history, from Rachel Barton Butler and Eulalie Spence to Lisa D’Amour.
It’s not just the workers who need the stage to come back—all of us crave the communion only the theatre can provide.
We asked dozens of theatre folks about an alternately disorienting and clarifying 12 months of closure.
Lorraine Hansberry Theatre and San Francisco Playhouse come together for a filmed co-production of Erika Dickerson-Despenza’s play.