Building audiences in two far-flung cities, as Alaska’s biggest theatre has done, is one way to help ensure a theatre’s economic sustainability.
Two parents are concerned about their young son’s love for Cinderella and playing dress-up. Should they be? Daniel Pearle’s play, coming soon to About Face Theatre, explores the question.
Last fall, Orange County’s LORT powerhouse embarked on a collaborative community project with nearby Santa Ana.
The British-born director curates her Tribeca theatre with an eye on design, a taste for discomfort and a curiosity about who the work is for.
Jennifer Haley’s unsettling play, a hit in L.A. and London now on its way to New York, both dramatizes and questions our immersion in technology.
Ecuadorian theatre broke away from European conventions in the 1960s. Today’s artists are still venturing outside the theatre walls to engage audiences directly.
The co-creator of the mad pirates of “Jollyship” is writing plays for people now, but he’s still unleashing comic chaos.
The playwrights of ‘The World of Extreme Happiness’ and ‘Caught’ talk about their complicated relationship to their heritage and the nuances of being Hapa.
She’s tackled nearly every kind of role at every kind of theatre, and this purple-haired local treasure shows few signs of skipping town or slowing down.
The author of ‘The Mountaintop’ talks about the inspiration and research for her new play, based on a true story from Rwanda.