After three decades of form-breaking work, the influential company is folding up regular business and creating a comprehensive living archive.
Her Six Viewpoints taught me, and generations of theatremakers and performers, to get out of our own way and expand our perception.
How U.S.-trained director Jon Kellam has adapted global influences into a new theatrical form with the Italian company Bämsemble.
Diversifying personnel is important, but a more fundamental step might be to change the ways we teach theatre.
At the 42nd Humana Festival of New American Plays, the Kilroys and Anne Bogart spoke, Lauren Gunderson got a prize, and a majority female-authored program commanded the stage.
In this podcast episode, recorded live at the Robert Moss Theater, directors Anne Kauffman, Rachel Chavkin, Anne Bogart, and Liesl Tommy discusses the hows and whys of directing.
How six directors discovered and honed their craft—and found careers along the way.
A make-it-new trend gains currency with audiences and academia.
All theatre is about how we get along with each other, the director believes—a useful frame for a show about apartheid.
Editor Jim O’Quinn shares his thoughts for the July/August issue.