Why I Left the Kennedy Center
A former copywriter for the D.C. organization reflects on the tenuous position of arts workers under the Trump administration.
A former copywriter for the D.C. organization reflects on the tenuous position of arts workers under the Trump administration.
Filed by the ACLU on behalf of theatre organizations, including TCG, the suit is aimed at a new anti-trans guideline recently added by the endowment.
A dialogue on how students, teachers, and parents can push back against a wave of conservative legislation and intimidation that threatens to chill theatrical expression.
The forces attacking the human rights and free expression of the most marginalized among us know exactly what they’re doing, but we have a way to fight back: the stage.
From the first woman in a ‘breeches’ role to the Wooster Group’s Arthur Miller acid test, February was an eventful month on U.S. stages.
Fighting for freedom of expression in high school theatres can be a complicated cause, but it’s clearly a fight that matters for all theatre artists.
The increasing velocity of change on the outside makes theatre’s capacity to change our inner lives ever more important.
Why ‘The Merchant of Venice’ and ‘The Taming of the Shrew’ should remain open to interpretation.
The arts should run counter to a mood of national apathy, not acquiesce to or accommodate it.
A review of Dave Marsh’s new book.