Leadership Changes at Renaissance Theaterworks, Old Globe, and More
A roundup of comings and goings at the top of U.S. theatre institutions.
A roundup of comings and goings at the top of U.S. theatre institutions.
Applications are now open for the first bicoastal 2026-27 BIPOC Critics Lab cohort, as the 2025-26 cohort completes their training.
Concerts, a ‘Carol’ or 3, and a surfeit of readings, benefits, and other virtual theatre kick off December in abundant style.
The critics talk with Jeremy Wein of Play-PerView, take a question about theatre safety, and recommend shows they’ve viewed.
An EDI consciousness is already fundamental to the work of some theatre practitioners, but it has expanded exponentially.
The kind of leader who listened as much as he led, he also modeled an enviable work/life balance.
The grants will give extra rehearsal time for 10 productions of new works.
With ‘Rain’ and ‘First Daughter Suite,’ the composer/lyricist returns to signature themes in typically uncharted ways.
From obscure classics to populist musicals and thrillers, Hartford Stage artistic director Darko Tresnjak is in the midst of a killer career.
In a new reimagining of Lapine and Sondheim’s fairy-tale musical, 11 actors play all the roles and all the instruments—and the set itself is an instrument.