Let’s Be Real: These Programs Won’t End Racism at Your Theatre
Ending white supremacy at your institution requires an organization-wide commitment to change in both culture and policy.
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Ending white supremacy at your institution requires an organization-wide commitment to change in both culture and policy.
As I say goodbye to my editorial home, I’d like to share some of the lessons I learned over the past (almost) 6 years.
Deprived of regular, full-face in-person interaction, high school theatre students at Interlochen Center for the Arts have expanded other creative capacities.
Plenty of Scrooge is on offer from the nation’s theatres, as well as Dorothy Gale, Richard III, Satchmo, and more.
NYTW’s education program provided an artistic oasis, and a sense of belonging, for U.S. high school students hungry for change.
Short plays in storefront windows for small outdoor audiences is the Equity-approved formula for Miami New Drama’s newest effort.
Glynn Turman, Colman Domingo, and Michael Potts talk about the new film of August Wilson’s breakthrough play.
The work of organizing for a better world is already being done, and theatres have the chance—and the responsibility—to join it.
A year of news, most of it bad, was balanced by reflection, candor, innovation, and no shortage of hopes, dreams, and plans.
A new Netflix documentary follows six contenders in the annual August Wilson Monologue Competition.