Samuel D. Hunter: The High Tragedy Place
A conversation with the writer of ‘Greater Clements’ about political plays, the dramatic form, and Idaho.
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A conversation with the writer of ‘Greater Clements’ about political plays, the dramatic form, and Idaho.
With a little help from her friends and colleagues—and some crucical advance planning—Sara Brunow was able to take Asolo Rep’s theatre education online.
Performer Leah Urzendowski talks Neo-Futurism, clowning during coronavirus, and bringing joy through movement.
Korte opens up about the passion and purpose behind the Broadway mashups he brings to YouTube.
This pre-pandemic conversation with the exciting helmer behind ‘Endlings’ and radical stagings of ‘Ragtime’ and ‘Carmen’ holds hope for the art form.
Both Michael Roth’s ‘The Web Opera’ and HERE’s ‘all decisions are made by consensus’ use our screen-mediated world as a narrative given.
From fairy tales to variety shows, monologues to panel discussions, check out the programs we are streaming this week.
After 9 years at Victory Gardens, the writer/director reflects on what he’s learned from running, and fighting for, a theatre in Chicago.
A Zoom production by Bard College students gets a second life as a TFANA co-presentation, with sets, lights, props, and live editing.
Theatre in the Grand Canyon State reflects the region’s unique challenges and opportunities.