Rooms Where It Happens: St. Louis’s Rising Leaders of Color
Five colleagues I got to know over the past year through TCG’s professional development program, which adds up to more than the sum of its parts.
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Five colleagues I got to know over the past year through TCG’s professional development program, which adds up to more than the sum of its parts.
As they take over the regular beat from Hilton Als, the two talk about where they come from and what they’re looking forward to.
Her Pulitzer-winning play ‘Fairview’ is about why white people should make space for people of color; she’s amused that it’s controversial.
Between the push-ups, mud dances, cooing babies, jars of goose fat, and actual geese, what’s not onstage at the Jacobs can be as fascinating as what’s onstage.
An ambitious effort to hire contemporary playwrights to translate the Bard into modern English is about to deliver the goods.
In a big night for New York Theatre Workshop, ‘What the Constitution Means to Me’ and ‘Hurricane Diane’ were among top winners.
How Opera Theatre of St. Louis used a Wallace Foundation Grant to test audience-building strategies.
In ‘A Jordan Downs Illumination,’ the company returns to South L.A. to find a community changed and still changing.
Samantha Shay’s stripped-down, fem-focused take on the tragedy inspires low-tech awe—and starts a raucous argument.
Moving work from one language to another is an art unto itself, and adapting it for the stage only adds layers of challenge and meaning.