As the walls among mediums begin to tumble, so too the boundaries separating training programs.
As dramatists begin to write for all media, the nation’s playwriting programs are starting to teach beyond the stage.
7 playwrights who’ve honed their craft without the coveted degree tell how their roads diverged.
Rudi Goblen, break-dancing champ turned playwright, enters a school that has done its own share of learning.
Watching and helping John Guare build his plays inspired his erstwhile assistant to do the same.
What our departing senior editor’s education and writing career has to say about the value of training and experience.
The downtown playwright and theatremaker talks about her aesthetic and DIY work ethic, and how much of each she’ll bring to her new post.
New books document the processes and productions of 2 major New York companies.
The problem with young adult shows on Broadway isn’t that they focus on teens—it’s which teens they focus on.
Six theatre artists in recovery share stories of how the field has both embraced and excluded them.