Managing the Stage, and Managing Expectations
For all the responsibility laid on stage managers, their impact and centrality—and what they can bring to theatre’s current moment of challenge and uncertainty—remain underappreciated.
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For all the responsibility laid on stage managers, their impact and centrality—and what they can bring to theatre’s current moment of challenge and uncertainty—remain underappreciated.
From cockroaches to Greek myths, virtual theatre productions are offering theatremakers and audiences a way to connect.
In his last interview, he talks about the Negro Ensemble Company’s heady heyday, and its influential Playwrights’ Workshop.
An especially strong week of archival recordings and live readings of buzzy plays.
In her first year at the Twin Cities theatre, a series of crises offered opportunities for allyship and community-building.
The postponed MCC gala, originally set for April, will play recorded songs for a wide web audience.
This week’s offerings include dystopian futurism, bipartisan Shakespeare, a coke-addled one-act, a global festival, and more.
Teens from the Rose Theater’s conservatory camp share takeaways from a virtual production of ‘Frankenstein.’
As students return this fall, university theatre programs look to new technologies and safety protocols.
A look back at Rancho Cucamonga’s TYA powerhouse, which lost its sole employee, producer Mireya Hepner, to the pandemic lockdown.