The editors speak to the playwright of ‘Dream Hou$e,’ a new play about gentrification, sisterhood, and reality TV, now onstage at Long Wharf Theatre.
How Lloyd Suh’s ‘The Chinese Lady’ made it through 2 years of pandemic, protest, and anti-Asian hate to emerge as the nation’s most-produced and possibly most essential play.
The new year-long effort aims to support artistic development at and among Baltimore Center Stage, Woolly Mammoth, Long Wharf, and the Repertory Theatre of St. Louis.
Artists of color have been placed in leadership positions across the U.S., but are they actually getting the respect and support they deserve?
At Long Wharf Theatre’s recent ‘Artistic Congress’ convening, two leading playwright/activists shared their dreams and demands for the theatre field.
As the trauma of George Floyd’s killing and the specter of COVID entered my home and my work, I was reminded what my country is—and still could be.
The veteran actor, with extensive regional and New York credits, including at Long Wharf, Williamstown, and Broadway, died late last month.
Theatres in Maine, Vermont, New Hampshire, and Connecticut are variously going local and virtual, and reflecting deeply on their role in a changed future.
The company will center its 2020-21 season on New Haven with community partnerships and outdoor performances.
Baltimore Center Stage, Long Wharf Theatre, the Public Theater, Repertory Theatre of St. Louis, and Woolly Mammoth Theatre Company commission micro-plays for home use.