Among the most important things students can learn at theatre training programs: how to audition, and what they’ll be auditioning for.
Too often, comfort with culturally inappropriate casting starts in educational settings—precisely the places these practices should be interrogated.
Changing my headshot opened my eyes to the ways I’m seen—and remain unseen.
Which plays and which actors would you most like to see matched? We asked and the answers poured in.
Meet some folks who know the audition process inside out: actors and casting directors.
As the walls among mediums begin to tumble, so too the boundaries separating training programs.
As dramatists begin to write for all media, the nation’s playwriting programs are starting to teach beyond the stage.
7 playwrights who’ve honed their craft without the coveted degree tell how their roads diverged.
Rudi Goblen, break-dancing champ turned playwright, enters a school that has done its own share of learning.
Watching and helping John Guare build his plays inspired his erstwhile assistant to do the same.