A Many-Headed ‘Lear,’ a Theatrical ‘Dinner With André’
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
Karin Coonrod explains why ‘King Lear’ is apocalyptic but not bleak, and a new staging of an iconic film returns it to its theatrical roots.
In this edition of Sightlines, we experience an inaugural WBEZ theatre event, tour TimeLine’s newest space in Chicago’s Uptown neighborhood, and hear from a rising costume designer.
In the latest AT Education Monthly: an annual tradition restored, insights from educators, and news from around the country.
A chat with the NYC venue’s new leaders, good news from the wild project, new plays’ strong showing, and a world-premiere listing.
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
In the latest AT Education Monthly, International Thespian Society updates, post-show Denny’s, fall productions, the HBCU edge, and more.
Plus: Richard Thomas revives Hal Holbrook’s ‘Mark Twain Tonight,’ and a listing of world premieres across the U.S.
In the first edition of a new column, we visit a puppet haunted house and chat with a rising Chicago scenic designer.
In the latest Education Monthly, a new MFA program amid a sea of closures, inspiring op-eds, fall, and more.
The playwright talks about her great new feminist play. Plus: the clever comedy of Abby Wambaugh’s ‘The First 3 Minutes of 17 Show,’ Big Bang readings, and more.