Black Theatre’s Family Reunion
Every other year since 1989, the International Black Theatre Festival has gathered theatremakers and fans for a celebration of Black artistry and excellence.
Every other year since 1989, the International Black Theatre Festival has gathered theatremakers and fans for a celebration of Black artistry and excellence.
The cup overfloweth in this nationwide roundup of new stage works.
Katie Ka Vang’s play about a historic Twin Cities immigrant community became more timely than anticipated when their state was violently occupied.
In the early 2000s, some major U.S. theatres dedicated spaces in their buildings to producing new work by new playwrights. Where are those programs—and those writers—now?
The National Endowment for the Arts has survived decades of attacks and cuts, even two Trump elections. But at what cost?
Western Washington University’s summer program brings students together with guest writers for two weeks of collaborative development.
A new report, part of the Wallace Foundation’s Advancing Well-Being in the Arts initiative, spotlights promising solutions to long-standing artistic challenges at a Minnesota theatre company.
NYC’s Puerto Rican theatre, a new Wallace Foundation report shows, faces structural challenges—and has much to offer the field.
Counter-programming the semiquincentennial with an older and deeper story that can’t be untold.
This adaptation of Sophocles’s ‘Antigone’ centers a Nez Perce-Cayuse family tearing itself apart over the fate of ancestral remains.