No Bystanders at the Philly Fringe
After taking in nearly a week of performances, some durational and all participatory on some level, can I really go back to everyday, run-of-the-mill theatre?
After taking in nearly a week of performances, some durational and all participatory on some level, can I really go back to everyday, run-of-the-mill theatre?
An arts administrator whose résumé spans Philly’s experimental ensemble Pig Iron and Canada’s mainstream Theatre Calgary, she’ll succeed Jeremy Blocker at the Off-Broadway powerhouse.
This month, Allison chats with Pig Iron co-founder Quinn Bauriedel and checks in with teachers helping students navigate the post-election period.
In joining a college theatre program with similar aims and aesthetics, the training arm of the experimental company will keep its students on track with minimal interruption.
Philadelphia Theatre Company and others have received project funding.
The multidisciplinary Philly artist can’t be pinned down, but she is never less than fiercely present. Her next collaborative piece: Tall Order’s ‘Those With 2 Clocks’ at the Wilma.
Jody Kuehner’s irreverent, form-breaking alter ego is back with a more contemplative but no less challenging new dance-theatre-film.
An especially strong week of archival recordings and live readings of buzzy plays.
7 playwrights who’ve honed their craft without the coveted degree tell how their roads diverged.
The latest edition of TCG’s annual industry report finds theatres focusing on relationships.