Dramática: No Place Like You
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
The first installment of a new column explores how theatre artists in D.C. and Chicago interpret being called ‘too dramatic,’ and what home or belonging means in their art.
Stories of resistance from perseverant 20th century theatremakers around the world, and how they walk with us today.
Catching up with the digital editor on the state of criticism, a regrouping of Theater Folx of Color, Chicago happenings, new columns, and more.
A poem by our digital editor, a Brazilian artist, is this summer’s editor’s letter within our Immigrant Imaginations issue.
This month, we reflect on how awards ceremonies may grant the chance to spark exciting new projects and highlight summer happenings around town.
The venerable international festival’s 79th iteration lays out the welcome mat for first-time performers and audiences, and puts its first non-European language, Arabic, in the spotlight.
Five years after an anti-racist manifesto challenged the theatre industry, we search for answers and accountability.
Last month’s D.C.-area gathering of makers and advocates of theatre for young people offered a radical yet knowing optimism about the industry and the art form at an especially urgent time.
Ahead of concerts at Steppenwolf and Ravinia, Kelli O’Hara reflects on her journey, artistry and breath work, and the “service” of performing.
A tuition-free program started by Theatre Producers of Colors is mentoring a new generation of theatremakers.