‘Teeth,’ In-Your-Face and With Extra Bite
The maker of the original film reflects on how his gory fable about vagina dentata became a savagely witty stage musical by Anna K. Jacobs and Michael R. Jackson.
The maker of the original film reflects on how his gory fable about vagina dentata became a savagely witty stage musical by Anna K. Jacobs and Michael R. Jackson.
2 playwrights talk to theatremakers in the West Bank and Gaza, who are continuing their resistance to occupation with their art and their witness.
The author of a new musical based on a book about facial difference writes about how the show took its unique shape and gathered its like-minded team.
A former copywriter for the D.C. organization reflects on the tenuous position of arts workers under the Trump administration.
It’s a good thing that unions and employers have a shared interest in the robust funding of the NEA and NEH—because it’s going to take a united front to make it happen.
The leader of 59E59, an Off-Broadway theatre complex that programs more than 30 shows a year, offers a vision for the sustainability of the art form.
Lessons from the Global South on fugitivity and world-making in the face of empire.
An Asian American theatremaker reflects on the intent and impact of Broadway’s ‘Maybe Happy Ending,’ and the precedent its latest casting decision may set.
After spending a week studying Tectonic Theater Project’s Moment Work, a theatre teacher emerges with new tools to empower young storytellers.
A playwright considers the challenges and rewards of writing for the moment.