Dueling-Fairy Fan Fiction From the Reduced Shakespeare Company
Proving that the Bard can be revered with irreverence, Folger Theatre presents a ‘lost’ play that never was.
Proving that the Bard can be revered with irreverence, Folger Theatre presents a ‘lost’ play that never was.
From clown noses to wolf heads, America to Israel, ‘Presenting Shakespeare’ showcases how the Bard’s work is sold around the world.
For his 35th Shakespeare, ‘Pericles,’ director Trevor Nunn decided to make it in America, at Theatre for a New Audience.
Among the bounty of items in the Ransom Center’s exhibit about the Bard will be the assassin’s script for ‘Richard III.’
Though our ‘Play on!’ commissioning project has met with some vocal disapproval, the work is grounded in the Oregon Shakespeare Festival’s core values—and our love for the Bard.
Oregon Shakespeare Fest’s new translation project pits purity against clarity, 400 years of reverence against a few hours’ traffic of the stage.
‘Shakespeare in Love’ and a Henriad cycle, as well as musicals and a world premiere, are included in the summer lineup.
The Old Globe’s newest Viola talks about same-sex attraction in Shakespeare, playing against type, and the wonders of Fiona Shaw.
Shakespeare’s themes of murder and mayhem resonate with prisoners, certainly, but so do his language, his humanity and his humor.
A response to Dana Dusbiber’s wrongheaded ‘Washington Post’ column arguing that dead, white Shakespeare shouldn’t be taught anymore.